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章节摘录

　　The child ceased to have so much anxiety for her motherafter the baby came. Seeing the mother with the baby boy，delighted and serene and secure， Anna was at first puzzled，then gradually she became indignant， and at last her littlelife settled on its own swivel， she was no more strained anddistorted to support her mother. She became more childish，not so abnormal， not charged with cares she could notunderstand. The charge of the mother， the satisfying of themother， had devolved elsewhere than on her. Gradually the cluld was freed. She became an independent， forgetful little soul，loving from her own centre.　 Of her own choice， she then loved Brangwen most， or most obviously. For these two made a little life together， theyhad a joint activity. It amused him， at evening， to teach her to count， or to say her letters. He remembered for her all the little nursery rhymes and childish songs that lay forgotten at the bottom of his brain.　 At first she thought them rubbish. But he laughed， and she laughed. They became to her a huge joke. Old King Coleshe thought was Brangwen. Mother Hubbard was Tilly， her mother was the old woman who lived in a shoe. It was a huge， it was a frantic delight to the child， this nonsense， after her years with her mother， after the poignant folk-tales she had had from her mother， which always troubled and mystified her soul.　 She shared a sort of recklessness with her father， a complete， chosen carelessness that had the laugh of ridicule in it. He loved to make her voice go lugh and shouting and defiant with laughter. The baby was dark-skinned andas had driven him almost mad with trammelled passionat first. She came to him again， and， his heart delirious indelight and readiness， he took her. And it was almost asbefore.　　Perhaps it was quite as before. At any rate， it made himknow perfection， it established in him a constant eternalknowledge.　　But it died down before he wanted it to die down， She was finished， she could take no more. And he was not exhausted， he wanted to go on. But it could not be.　　So he had to begin the bitter lesson， to abate himself， to takeless than he wanted. For she was Woman to him， all other women were her shadows. For she had satisfied him. And he wanted it to go on. And it could not. However he raged， and， filled with suppression that became hot and bitter， hated her in his soul that she did not want him， however he had mad outbursts， and drank and made ugly scenes， still he knew， he was only kicking against the pricks. It was not， he had to learn， that she would not want him enough， as much as he demanded that she should want him. It was that she could not. She could only want him in her own way， and to her own measure. And she had spent much life before he found her as she was， the woman who could take him and give him fulfilment. She had taken him and given him fulfilment. She still could do so， in her own times and ways. But he must　control himself， measure himself to her.　　……

内容概要

　　D.H. LAWRENCE （1885-1930），one of the greatest figures in
2oth-century English literature. Lawrence saw sex and intuition as
ways to undistorted perception of reality and means to respond to
the inhumanity of the industrial culture. From Lawrence's doctrines
of sexual freedom arose obscenity trials， which had a deep effect
on the relationship between literature and society.
　　In I9I2 he wrote： "What the blood feels， and believes， and says，
is always true. Lawrence's life after World War I was marked with
continuous and restless wandering.

书籍目录

INTRODUCTION
CHAPTER I
HOW TOM BRANGWEN MARRIED A POLISH LADY
CHAPTER II
THEY LIVE AT THE MARSH
CHAPTER III
CHILDHOOD OF ANNA LENSKY
CHAPTER IV
GIRLHOOD OF ANNE BRANGWEN
CHAPTER V
WEDDING AT THE MARSH
CHAPTER VI
ANNA VICTRIX
CHAPTER VII
THE CATHEDRAL
CHAPTER VIII
THE CHILD
CHAPTER IX
THE MARSH AND THE FLOOD
CHAPTER X
THE WIDENING CIRCLE
CHAPTER XI
FIRST LOVE
CHAPTER XII
SHAME
CHAPTER XIII
THE MAN'S WORLD
CHAPTER XIV
THE WIDENING CIRCLE
CHAPTER XV
THE BITTERNESS OF ECSTASY
CHAPTER XVI
THE RAINBOW

作者简介

《世界文学经典读本:虹(英文版)》讲述在布兰文家族祖孙三代人的命运这一背景上，劳伦斯对现代人的性爱进行了广泛、深人的探索。第一代汤姆•布兰文是个勤劳朴实的农民，因在19岁时和一个妓女睡过觉，因而对性产生了厌恶，在妻子莉迪亚的帮助下逐渐获得和谐美满的性生活；但两个人仅仅停留在这一阶段，他们一辈子都是陌生人。第二代安娜与威尔之间的婚姻充满了强烈的占有欲，从而导致无休止的冲突。第三代女主人公厄休拉愈加迈进了一步，她身上既有放荡的一面，同时又追求灵与肉、生命与自然的融合统一。在“爱情三部曲”中，《世界文学经典读本:虹(英文版)》与《恋爱中的女人》是姊妹篇，虽曾在英国遭禁11年之久，但近年来一直受到各国评论家的高度赞赏，被称为是劳伦斯创作的最高峰。小说大量地运用象征，比喻和意象描写的手法，语言充满了激情，同时又含蓄深刻，富有哲理。

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