Complete Transcriptions, Cadenzas and Exercises for Solo Piano勃拉姆斯改编、华彩和练习曲钢琴独奏全谱

书籍目录

Editor's Preface (Revisionsbericht)Five Piano Studies  1. After an Etude by Chopin  2. After a Rondo by Weber  3. After a Presto by J. S. Bach (first version)  4. After a Presto by J. s. Bach (second version)  5. After a Chaconne by J. s. Bach (for left hand alone)Transcription of a Gavotte by GluckStudy after Schubert's Impromptu Op. 9o, No. 2(for left hand)Two GiguesTwo SarabandesTheme and VariationsHungarian Dances  1. G Minor  2. D Minor  3. F Major  4. F-sharp Minor  5. F-sharp Minor  6. D-flat Major  7. F Major  8. A Minor  9. E Minor  10. E MajorCadenza for J. S. Bach's Clavier Concerto in D MinorTwo Cadenzas for Mozart's Piano Concerto in G Major, K.453Cadenza for Mozart's Piano Concerto in D Minor, K.466Cadenza for Mozart's Piano Concerto in C Minor, K.491Two Cadenzas for Beethoven's Piano Concerto in G Major，OP.58  1. For the First Movement  2. For the RondoCadenza for Beethoven's Piano Concerto in C Minor，OP.37Fifty-one Piano Exercises

作者简介

The works of Brahms for solo piano cannot be considered complete without his espe-cially instructive short studies, dances and cadenzas.  This volume contains them all:the five Studies after pieces by Chopin, Weber and Bach; Transcription of a Gavotte by Gluck; Study after Schubert's hnpromptn Op. 90, No. 9; two Gigues; two Sarabandes; a Theme and Variations; ten Hungarian Dances; eight Cadenzas for pieces by Bach, Mozart and Beethoven; and 51 Piano Exercises.    The music is reproduced directly from the definitive Vienna Gesellschaft der Musik-freunde edition, edited by its renowned musicologist, Eusebius Mandyczewski, who made his revisions from original sources, often Brahms' own manuscripts.  For this Dover edition, the Editor's Preface (Revisionsbericht) and the Table of Contents have been translated into English.    Noteheads have been reproduced in a size large enough to be read easily at the keyboard.Margins and spaces between staves are generous, permitting insertion of written notes,analysis, fingerings, running measure numbers, etc. This edition will be welcomed, not only by the instructor and the student, but by all lovers of Brahms and those who will find the volume most practical for reference and other purposes.

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