摄影之后：拍照的艺术家

内容概要

罗伯特·肖（Robert Shore），英国著名媒体人，主要从事文化和媒体领域的创作，长期为英国《都市报》《卫报》和《星期日泰晤士报》撰稿。同时，他还是《艺术评论》杂志的编辑。

书籍目录

序言：摄影之后是…… ···· 07

1

借鉴与创新···················· 13

什卡·汉纳································14

约阿希姆·施密德··························22

伊娃·史妲朗································28

妮可·贝勒···································34

戴 维·托马斯·史密斯····················38

乔尼·布里格斯·····························42

诺埃·森达斯································46

茱莉亚·博里索娃 ·························50

布伦丹·尤哈斯·····························54

安 德列·施密特·····························58

克莱蒙特·瓦拉·····························62

2

现实的层列···················· 67

瓦莱里·贝琳································68

李在镕·········································72

乔纳森·刘易斯·····························76

苏菲·西野···································80

奥利沃·巴尔比埃利·······················84

杨泳梁 ········································88

丹·霍兹沃斯································92

3

整个世界都是舞台··········· 99

劳伦斯·德梅松·····························100

原久路·········································106

莎迪·伽迪里安·····························110

莱昂斯·拉斐尔·阿波德鲁··············114

克里斯蒂·李·罗杰·······················118

安吉洛·穆斯克·····························122

奥拉夫·布鲁宁·····························126

斯佳丽·霍夫特·格拉芙兰··············132

鲁内·古纳佑森·····························136

埃里克·约翰逊·····························140

若昂·卡斯蒂略·····························144

约翰·克文斯基·····························150

迦勒·哈兰德································154

亚历杭德罗·吉加洛·······················158

丹尼尔·埃斯肯纳茨·······················162

伯恩德纳特·斯米尔德····················166

4

手与眼···························171

阿里奇·布雷恩·····························172

陈农············································178

查尔斯·格洛戈·····························182

达夫娜·塔尔默尔··························186

约尔玛·普拉能·····························190

朱莉·科伯恩································196

托尔斯滕·瓦尔穆斯·······················200

克洛伊·塞尔斯·····························204

斯蒂菲·克伦茨·····························208

布伦丹·弗勒································212

5

后现代新闻摄影···············217

迈克尔·沃尔夫·····························218

杨怡············································226

玛蒂娜·巴奇伽鲁普·······················230

克里斯蒂娜·德·米德尔·················234

理查德·莫斯································238

本雅明·罗伊································244

戴维·伯金···································250

亚当·布鲁姆伯格、奥利佛·查纳林 ···256

作者简介

美国视觉传播学者米契尔(Walliam Mitchell)在1991年提出“后摄影时代”(Post-Photography)这一个名词，用以形容摄影自从进入了数码时代后已出现了根本性的改变。在如今这个“一切皆有可能”、“万事已难创新”的数字时代，艺术家们的确还在使用照相机，但是仅仅拍照是远远不够的了。

那么，摄影之后是什么？

这本《摄影之后：拍照的艺术家》便试图通过深入探究图像制造中令人兴奋的新语言来回答这个问题。

本书分为五个部分，分别是“借鉴与创新”“现实的层列”“整个世界都是舞台”“手与眼”“后现代新闻摄影”，所介绍的创作观念与技法来自21世纪52位最具吸引力、最具创新性的国际艺术摄影师。

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