查泰来夫人的情人

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出版社:中央编译出版社
出版日期:2011-1
ISBN:9787511706287
作者:D.H.劳伦斯
页数:443页

章节摘录

  As Peter Gay states in the Introduction to his Freud Reader, "Freud is inescapable". This also holds true withD.H. Lawrence, who, although never fully accepted Freud,made use of Lus theories in order to work out his outlookon sexuality and his own "Exated, mystical irrationalism"(Gay, xxiii). More has been said about, against or in favorof Freud's theories than about any other 20th century topic,and to some extent, "it may be a commonplace by now thatwe all speak Freud whether we know it or not" (Gay, xiii).  Unfortunately, and this is what we attempted to show inthis subchapter, popular readings and renderings of Freudhave somewhat diminished his importance as a scientistand stylist. The important thing is to avoid the imprecisediscourse deriving from this popularity and to exposeoneself fully and honestly to the body of his ideas, which canbe disconcerting and "sobering" (Gay, xiii) in the extreme.The original part of this section consists in our simultaneoustreatment of Freud as initial social and professional outsider,as pioneer, scientist and philosopher. Thereby we have triedto determine what exactly the basis of Freud's unprecedentedsocial and cultural impact was, and to lay the foundation ofour discussion of Lawrence's lughly personalized perceptionof psychoanalysis.  The present section deals with D.H. Lawrence's highlyindividualized perception of the psychoanalytic doctrine,plaang special emphasis on the author's understandingof the unconscious as mirrored in his major essays. Anydiscussion of Lawrence's perception of the unconscioushas to start by drawing a clear dividing line'betweenFreud's understanding of the term and the view reflectedin Lawrence's works of fiction and non-fiction. Wlule Freudlocates the unconscious in the mind, Lawrence refuses todo so and places it'in the body, mores specifically in theplexes and ganglia, which he considers to be the superiorseat of consaousness. Actually, Lawrence associates neitherthe unconscious nor consaousness with the mind, as themind is corrupt and and can breed only repression andunfulfillment. Moreover, he comes up with a personal termto subst:itute Freud's unconsaous: he calls it the Holy Ghostand views it as the vital connection between the individualand the universal consciousness. For Lawrence, as for Freud,consciousness is not and cannot be unitary. Lawrence holdsthat man carries the divine spark of creation within him,and it is this spark that establishes the connection betweenindividual and universe. Whenever the mind comes in,however, the equilibrium is thwarted, personal and socialconflict being the result.  ……

内容概要

D.H. LAWRFNCF, (1885-1930),one of the greatest figures in20th-century English literature.Lawrcncc saw sex and intuition asways to undistorted perception ofreality and mcans to respond tothe inhumanity of the industrialculture. From Lawrence'sdoctrines of scxual freedom aroseobscenity trials, which had a dccpeffect on the relationshipbctwccn literature and society.
In 1912 he wrote: "What theblood feels, and believes, and says,is always true." Lawrcncc's Iifcafter World War I was markedwith continuous and restlesswandering.

书籍目录

INTRODUCTION
CHAPTER I
CHAPTER II
CHAPTER III
CHAPTER IV
CHAPTER V
CHAPTER VI
CHAPTER VII
CHAPTER VIII
CHAPTER IX
CHAPTER X
CHAPTER XI
CHAPTER XII
CHAPTER XIII
CHAPTER XIV
CHAPTER XV
CHAPTER XVI
CHAPTER XVII
CHAPTER XVIII
CHAPTER XIX
APPENDIX: MARKS ON LADY CHATTERLEY'S LOVER ·

编辑推荐

  LADY CHATTERIJEY'S LOVER is a novel by D. H. Lawrencc, first published in 1928. Thefirst edition was printed in Florence, Italy; itcould not be published openly in the UnitcdKingdom until 1960. (A private edition wasissued by Inky Stephcnsen's Mandrake Pressin 1929).  The story is said to have originated fromevents in Lawrence's own unhappy domesticlife, and he took inspiration for the settings ofthe book from Eastwood in Nottinghamshirewherc he lived for a while. According to somecritics, the fling of Lady Ottoline Morrcll with"Tiger", a young stonemason who camc tocarvc plinths for her garden statucs, alsoinfluenced the story.

作者简介

一战结束后,出身贵族的克利福德爵士带着伤残的身体回到庄园;妻子康妮是个健康貌美的知识女性,然而在长久的无性的沉闷生活中几乎无法忍受。就在这时,身材健壮然向却有着“土包子”那种粗俗、鄙陋的外表的看林人却吸引了她。一股被压抑了太久的最原始的生命力开始萌动,她一次次到林中小屋与之幽会,在此期间体会到爱情的美好,终于跨越世俗的陋见与隔阂,从而踏上新的人生旅途。
作为劳伦斯最后·部长篇小说,《查泰莱夫人的情人》包含了作者一生对性与情爱这一永恒母题的探索和总结,正如评论者所指出的,将身体视为人性良知的基本内核,仅仅是现代社会中的人们。
《查泰莱夫人的情人》由全国百佳出版社发行。

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  •     As Peter Gay states in the Introduction to his Freud Reader, "Freud is inescapable". This also holds true withD.H. Lawrence, who, although never fully accepted Freud,made use of Lus theories in order to work out his outlookon sexuality and his own "Exated, mystical irrationalism"(Gay, xxiii). More has been said about, against or in favorof Freud's theories than about any other 20th century topic,and to some extent, "it may be a commonplace by now thatwe all speak Freud whether we know it or not" (Gay, xiii).  Unfortunately, and this is what we attempted to show inthis subchapter, popular readings and renderings of Freudhave somewhat diminished his importance as a scientistand stylist. The important thing is to avoid the imprecisediscourse deriving from this popularity and to exposeoneself fully and honestly to the body of his ideas, which canbe disconcerting and "sobering" (Gay, xiii) in the extreme.The original part of this section consists in our simultaneoustreatment of Freud as initial social and professional outsider,as pioneer, scientist and philosopher. Thereby we have triedto determine what exactly the basis of Freud's unprecedentedsocial and cultural impact was, and to lay the foundation ofour discussion of Lawrence's lughly personalized perceptionof psychoanalysis.  The present section deals with D.H. Lawrence's highlyindividualized perception of the psychoanalytic doctrine,plaang special emphasis on the author's understandingof the unconscious as mirrored in his major essays. Anydiscussion of Lawrence's perception of the unconscioushas to start by drawing a clear dividing line'betweenFreud's understanding of the term and the view reflectedin Lawrence's works of fiction and non-fiction. Wlule Freudlocates the unconscious in the mind, Lawrence refuses todo so and places it'in the body, mores specifically in theplexes and ganglia, which he considers to be the superiorseat of consaousness. Actually, Lawrence associates neitherthe unconscious nor consaousness with the mind, as themind is corrupt and and can breed only repression andunfulfillment. Moreover, he comes up with a personal termto subst:itute Freud's unconsaous: he calls it the Holy Ghostand views it as the vital connection between the individualand the universal consciousness. For Lawrence, as for Freud,consciousness is not and cannot be unitary. Lawrence holdsthat man carries the divine spark of creation within him,and it is this spark that establishes the connection betweenindividual and universe. Whenever the mind comes in,however, the equilibrium is thwarted, personal and socialconflict being the result.  ……
  •     706青年空间 深度°沙龙 性学系列第二期 性与美——解读劳伦斯随笔中的爱欲与性 主讲人:黑马 时间:2014年12月7日周日14:00-17:00 地点:北京海淀五道口华清嘉园15号楼2010室 (706青年空间) 费用:15元 | 会员免费 报名:无需报名,直接来现场签到即可 D.H.劳伦斯,是20世纪英国文学当中最为重要的作家之一。他曾经写下《查泰莱夫人的情人》《儿子和情人》《虹》《恋爱中的女人》等一系列著名的文学作品,斐名世界。但他同时也因为作品中暴露的性描写,而在保守的英国饱受争议。人们往往同样因为过于重视性,爱欲,淫秽在劳伦斯作品当中的突出地位,而忽视了劳伦斯作品本身内在的文学价值与艺术价值。 诸如劳伦斯本人在《查泰莱夫人的情人》当中的刻画,并不单单着重于情色与肉欲。他在作品当中深刻地揭示了一战之后英国凋敝而灰暗的氛围,指出了战争对于人们精神价值的摧残。劳伦斯经由对于查泰来夫人和看门人梅洛斯的情欲纠葛,揭示了英国对立的阶级矛盾,探讨了经由性和爱获得的生命体验和精神净化,为西方的精神危机提供了一条反思路径。他从性出发,却不驻足于性;他贴近卑贱,却不带有肮脏。劳伦斯就是这样一个奇妙的作家。本次的706深度°沙龙,我们有幸邀请到了劳伦斯作品的著名译者——黑马老师。他将会从多年对于劳伦斯的文学研究角度出发,为我们分享:劳伦斯作品中的爱欲与性,揭示劳伦斯作品的动人之处,让我们从更多的角度去感受文学中的性如何是美的。 主讲人简介 黑马,本名毕冰宾,著名作家,编剧,劳伦斯作品译者及研究者。出版劳伦斯作品译文十余种,包括《虹》、《袋鼠》、《恋爱中的女人》、《查泰莱夫人的情人》、《劳伦斯文艺随笔》、《劳伦斯散文》和《劳伦斯中短篇小说集》,翻译作品有《劳伦斯传》和《劳伦斯绘画》。著有长篇小说《孽缘千里》和《混在北京》,学术著作为《劳伦斯叙论集》,散文随笔集有《心灵的故乡》、《情系英伦》、《名家故居仰止》、《写在水上的诺贝尔》和《挥霍感伤》等。

精彩短评 (总计49条)

  •     唐顿庄园的小资的感觉
  •     只要掺和了爱情,奸情也成了纯情了
  •     看过中文版的,很薄很薄,没想到英文版的这么厚,值得收藏!!!
  •     敢打破心理的藩篱的又有几人~她是勇敢是信念是忠于自我,以及对那个时代的反抗~
  •     第一次读是初中,待到我有经验之时再读,真的被劳伦斯对性的描写佩服的五体投地。
  •     不错,英文原版值得读
  •     不太喜欢
  •     女性角度的情色作品,其实也是纯爱故事
  •     送人的,自己没看………………
  •     劳伦斯名著很早就想收集一本这本很值得
  •     看的是黑马翻译的版本。事实上所谓的经典也必须要有一定阅历才能读得懂,如果是高中年代读这本书我不知道会有什么感受,但现在读,色情的感觉很少,只是透露着一种深深的绝望。对生活对生命的热情消退的那种绝望并不只是存在在那个工业化兴起的时代。现在的我们也不仍然存在在拜金主义物质主义之中。也许,我们从来也不曾真正有过最好的时代,每个时代都有过去的禁锢要打破都有未来的可能在等待。每个人都被环境影响着,或浮躁或痛苦或迷茫,但是,生活和生命总该是缤纷多彩生机勃勃的而不是一成不变或被一种价值观所控制,人的思想人的身体总该是自由的真实的,纵然有那样多的无意义,但总该怀抱着一颗热情心的而不是死灰般的去生活,而这无论是通过肉体之路还是经由了精神升华。
  •     高中时代除了金瓶梅看过的第二部禁书。忘了哪个版本了。还是盗版。比较认同冯唐的那句,看完亨利米勒再读劳伦斯,简直太事儿逼了。
  •     不怎么看得下去。
  •     废话太多,太多,太多,看的头痛
  •     印象更深的反倒是外文老师上课讲梗概的时候。
  •     什么是爱呢!!!!
  •     看着总觉得名声以下
  •     还没有看过这本书,不过大概了解了一些,书的质量不错纸质字体都可以就是有点厚
  •     查泰来夫人的情人,英文版比较难啃,但是会慢慢啃
  •     除了书的主体内容外,前面还有他人的论文作为前言,挺不错的。质量很好~
  •     没什么感觉,,,反应当时没落贵族与反工业吧,也不下流,但真不是我的菜
  •     1.寻找自己真正想过的生活,并为之努力 2.寻找自己真正钦佩的男人,并投入一切 3.寻找真实的自己,爱上她。
  •     真正全英文的,英语老师让我们看的,还要交一篇论文,我发现我真的英文太差了,看不懂了。
  •     书是英文版的。还没看完!
  •     花了一个半月总算翻着看完了,披着情色的外衣没想到最后讲的是真爱,也是醉了。
  •     刚刚读完这本书,我只是感受到美:不管是他们的性爱描写,还是他们的谈话;我欣赏到的仅仅是他们做爱的那种深邃!
  •     舆论重点偏了。
  •     正版,有塑封,而且封面设计也美,内页排版也不错
  •     失策了,英文版的,我这是给自己找抽啊!
  •     书中的一些露骨的性爱描写……其实这部作品总的寓意确是严肃的,主旨仍是谴责资本主义工业化和机器文明对人性和生机的摧残,探索实现身心统一的两性关系以求得新生的途径 记得当时是初中和好友去图书馆看书,刚好看到这本书拿起来看 好友惊慌失措的在我耳边耳语:说这本书有很多性爱描写镜头好污秽 我当时觉得好友太可爱了。忍不住腹诽。情色文学看的多了去了这算啥~哼(ˉ(∞)ˉ)唧
  •     情色文学好
  •     读过很久了,现在印象最深的就是夫人在雨中赤裸的身体欢跃的场景,现在的人应该不会再那样自由,早已被子里束缚的难以动弹
  •     色情文学,结尾有点不靠谱···
  •     工业革命引起社会变革背景下的反贵族纯爱故事
  •     封面看着不错,还没读,期待~
  •     挺失望的,這是一個作者自以為完美脫俗,其實蠻矛盾可笑的愛情故事。有些評論會給此書加一些“社會的焦慮”“人性的複雜”之類的大帽子,其實說白了這就是一個寫性是如何美妙如何痛快的一本書啊,弘揚原始自然美嘛。然而我對女主無感,對自視清高滿腹牢騷的男主,厭惡得一塌糊塗。
  •     莫名想起《万物理论》里的霍金 啊真是个悲伤的故事
  •     虽然比其他版本的贵了点,但是纸质很好 good
  •     那同情夹杂了愤怒与憎恶,变得有点像爱情了 这句话描写极生动
  •     翻译的不好,不流畅,不知道谁有更好的翻译版本?主题很大,且看且思考!
  •     查泰来夫人的情人,此书内容很好。
  •     很多作品非要到有了一定阅历和对人生的理解,再去读才有意义。整个读的过程中,有很多非常美妙的性爱的描写,让你不觉得是一种色情,更多的感受到了男性的力量,女性的柔美,这个世界的生机勃勃。小说弥漫着很重的对工业时代摧残人性的批判,这股批判的力量,与看欧洲简史里讲文艺复兴是很类似的感觉。肉体与精神应该同样值得被赞颂,除却情欲,甚至包括情欲在内,都是人类自我意识的深度觉醒。从每一寸肌肤里,意识到自己是活着的,要怎样活着。
  •     一直想买来看的,锻炼英语阅读能力啦
  •     康妮最终还是和梅勒斯在一起了,或许她知道自己想要什么,或许在精神追求之外,她有着属于自己的情欲。对于我,只是一声叹息。
  •     女性的追求
  •     本来去看性,结果看到了人性。但愿“人”不被工业和现代化吞噬,但愿我们都能找到我们所向往的东西。
  •     可以锻炼与一下英语。。。有益
  •     一场和谐的性爱引发的爱情。过度的夸大着性事的伟大。代表无欲中女表示鄙视。
  •     这部小说写在英国工业化的背景之下,让我想起同一时期哈代的《还乡》,两部小说都侧重环境的描写,前者留下的是灰色的意象,而后者是红色的。这部小说完整地融合了社会背景、人物背景和性格,揭示了社会转型中,主人公在世俗的压抑下对爱的渴望,整部小说矛盾和爱激流涌动,结尾留白让人浮想联翩。
 

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