中国辞典3000年

章节摘录

There are four main types for the formation of Chinese characters :pictographic, self-explanatory, ideographic, and pictophonetic. Pictographic formation is the earliest means by which the ancient characters are created out of the physicalform and property of the things they stand for. They mainly denote common things and concrete entities in everyday life. As they have evolved gradually, they have all changed their original forms and are eventually fixed as square characters.Self-explanatory formation uses symbols only （e. g. "one","above", and "below"） or symbols coupled with some deictic labels（e. g."root","blade", and "blood"） to designate meaning.The former might have been employed simultaneously with pictographicfor mation while the latter should have occurred thereafter to refer to more abstract meanings. Apparently, self-explanatory formation can be usedonly in a limited way. Consequently, only a limited proportion of Chi-nese Characters are self-explanatory, and a tiny number of symbol-only characters are identified in the Chinese writing system.Ideographic formation incorporates two or more extant character symbols into composite characters to designate a new meaning. The ancient scholars classified the Chinese characters into wen （singleelement characters）and zi（composite characters）. The pictographic and theself-explanatory characters are mainly composed of single elements, thusfailing into the wen category. The ideographic characters are respectivelycomposed of two or more characters, thus falling into the zicategory .Different symbols or pictographic characters plus some deictic labels are combined to designate a new abstract meaning in the ideographic formation. For instance,（bright） was written as , whose meaning is a composition of （the sun） and（the moon）.Pictophonetic formation covers those characters that are made up oftwo elements: the meaning element and the sound element. This forma-tion is highly effective in creating new characters to stand for a new thingor concept..

内容概要

雍和明，男，1963年出生，现任广东商学院副院长、教授、英语语言文学学科带头人、苏州大学博士生导师：曾赴澳大利亚麦考里大学、美国马萨诸塞大学、英国牛津大学深造，获麦考里大学语言学博士学位：发表论文30多篇，在中华书局、约翰·本杰明出版公司(John Benjamins Publishing Company)、牛津大学出版社(Oxford University Press)等国内外权威出版机构出版学术专著4部，独立承担和主持省部级项目4个，国家社科基金项目1个(结项“优秀”)，担任教育部高校英语教学指导委员会委员、中国辞书学会常务理事、广东省外国语言学会副会长等，是享受国务院政府特殊津贴专家、教育部新世纪优秀人才支持计划入选者和广东省政府社会科学研究成果奖获得者。2009年被澳大利亚麦考里大学授予杰出校友国际成就奖(International Achievement Alumni Award for Distinguished Service)。

书籍目录

AcknowledgmentsForeword by R. R. K. HartmannChapter 1 The dawning of Chinese lexicographical culture and the origin of Chinese lexicography1.1 The Chinese writing system and the theory of "six-category Chinese characters"1.2 Ancient reading primers and the source of Chinese lexicographical works1.3 The precursors of Chinese lexicographical works and their theoretical significance1.4 Theoretical explorations in lexicographical issues in ancient ChinaChapter 2 Chinese character dictionaries from the Cao Wei Period (220 -265)to the Qing Dynasty (1616-1911)2.1 The socio-cultural background for the development and formation of character dictionaries between the Cao Wei Period and the Qing Dynasty2.2 A brief introduction to some representative character dictionaries between the Cao Wei Period and the Qing Dynasty2.3 Some explorations in lexicographic theories for character dictionaries between the Cao Wei Period and the Qing Dynasty2.4 The academic value and cultural implications of character dictionaries between the Cao Wei Period and the Qing DynastyChapter 3 Chinese word dictionaries from the Cao Wei Period (220 -265) to the Qing Dynasty (1616-1911)3.1 The socio-cultural background for the development and formation of word dictionaries between the Cao Wei Period and the Qing Dynasty3.2 A brief introduction to some representative word dictionaries between the Cao Wei Period and the Qing Dynasty3.3 Some explorations in lexicographic theories for word dictionaries between the Cao Wei Period and the Qing Dynasty3.4 The academic value and cultural implications of word dictionaries between the Cao Wei Period and the Qing DynastyChapter 4 Chinese bilingual dictionaries from the Tang Dynasty (618-907) to the Qing Dynasty (1616-1911)4.1 The Buddhist period4.1.1 The preaching of Buddhism and the genesis of bilingual lexicography4.1.2 The Buddhist sutras and the emergence of bilingual works4.2 The ethnic minority language period4.2.1 Combinations of Chinese with Japanese, Vietnamese and Korean4.2.2 Combinations of Chinese with its ethnic minoritylanguages4.2.3 Combinations of Chinese with Manchu in theQing Dynasty4.3 The missionary period4.3.1 Combinations of Chinese with Latin, Portugueseand French4.3.2 Combinations of Chinese with English4.3.3 Combinations of Chinese with other European and Asian languages4.4 The government-led compilation period 4.4.1 The Chinese government establishments and bilingual glossary compilation4.4.2 The introduction of western technology and specialized bilingual dictionary makingChapter 5 Chinese special and encyclopedic dictionaries from the Cao Wei Period (220 -265) to the Qing Dynasty (1616 -1911)5.1 The socio-cultural background for the birth and evolution of ancient special and encyclopedic dictionaries5.1.1 The historical background for the birth and development of special dictionaries5.1.2 The historical background for the birth and development of encyclopedic dictionaries5.2 A brief introduction to some representative special dictionaries in ancient China5.2.1 A brief analysis of some representative special-aspect dictionaries5.2.2 A brief analysis of some representative rhyme dictionaries5.2.3 A brief analysis of some representative specialized dictionaries5.3 A brief introduction to some representative classified dictionaries in ancient China5.4 The academic value and cultural significance of ancient special and encyclopedic dictionariesChapter 6 Philological dictionaries of the Chinese language in the 20th century: Status quo and trends6.1 The innovation and transformation of philological dictionaries of the Chinese language ( 1900 - 1949)6.1.1 The beginning of the 20th century to the May Fourth Movement6.1.2 The May Fourth Movement to the outbreak of the War of Resistance against Japanese Agression6.1.3 From the outbreak of the War of Resistance against Japanese Agression to the founding of the People's Republic of China6.2 The renascence and retrogression of philological dictionaries of the Chinese language ( 1950 - 1976 )6.2.1 The first 17 years of New China6.2.2 The ten years of the Great Cultural Revolution6.3 The stabilization and flourishing of philological dictionaries of the Chinese language ( 1977 - 1999 )6.4 The development of dialect dictionaries in the 20th century.6.4.1 Self-motivated development period ( 1900 - 1949)6.4.2 Survey and description period ( 1950 - 1976)6.4.3 Overall development period ( 1977 - 1999)……Chapter 7 The Development and boom of chinese bilingual dictionaries in the 20th CenturyChapter 8 Special and encyclopedic dictionaries in the 20th-century china:status quo and trendsChapter 9 Chinese learners Dictionaries:their origin,status quo and trendsChapter 10 Chinese electronic dictionaries:their origin,status quo and trendsChapter 11 Dictionary compilation and research in hongkong,macao and taiwan in the 20th centuryChapter 12 Theoretical inquiries in chinese lexicography in the 20th century:an overviewBibliography

编辑推荐

《中国辞典3000年:从公元前1046年到公元1999年(英文版)》presents“an objective first-hand description of the history of the most representative lexicographicworks from the remote past to the beginning of the 21 stcentury，covering all major dictionary genres producednot only in Mainland China，but also in Taiwan.HongKong and Macao.More barriers between Chinesc andWestern lexicography are thUS likely to be removed，and new forms of comparative and interactivc researchin a more global context will become a rcal possibiliw”（R.R.K.Hartmann，Foreword）.

作者简介

《中国辞典3000年:从公元前1046年到公元1999年(英文版)》集中国三干余年辞典编纂与理论研究成果于一炉而冶，从世界辞典文化发展和中国社会文化演进的历史长河中根究中国辞典文化演变的轨迹和规律，既重视古代遗产，更侧重近现代和当代辞典的变革和创新，既重视具体代表性辞典的评析，更侧重辞典演进的历史连续性、理论的承继性和史论的整体性，第一次向世人展现一幅自远古至当代、从大陆到港澳台的中国辞典文化的厚重画卷。

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