数字摄影彩色校正 Color Correction For Digital Photographers Only

内容概要

Ted Padova first began his interest in amateur photography as a Peace Corps Volunteer in Venezuela. He toured five Latin American countries, collecting shoeboxes of slides he hopefully will one day sort out. Upon completion of his two-year Peace Corps tour, he attended the New York Institute of Photography in Manhattan when it was a resident school, earning a diploma in Commercial Photography. He worked his way through undergraduate and graduate school professionally shooting weddings and portraits. Although many people laugh at his Honeywell Strobonars, he realizes he could never have completed his higher education without them. In 2004 he retired from his Digital Imaging Service Bureau and Custom Photo Finishing Lab after 15 years of owning and operating three facilities. He has authored over 20 computer books on Adobe Acrobat, Adobe Photoshop, Adobe Photoshop Elements, and Adobe Illustrator. Today he spends his time writing and speaking nationally and internationally on Acrobat PDF and digital imaging. When not writing or speaking he can be found walking the beaches or sailing around his home in Waikiki in Honolulu, Hawaii. Ted can be reached at ted@west.net. 
    Don Mason is a graduate of Brooks Institute of Photography in Santa Barbara, California. He has been a professional photographer for more than three decades and works in virtually every aspect of commercial photography. Don first started using a computer in 1999 when he didn’t believe that digital imaging would ever replace his wing lynch system used for processing all his E-6 film and his darkroom where he made his own C-prints. After four years of intensive work in Adobe Photoshop, he abandoned his analog film lab and went completely digital. Today he divides his time between shooting professional commercial photography and printing art prints for a wide range of clients on his two oversized Epson inkjet printers. Don can be reached at Dmason5849@aol.com.

书籍目录

about the authors  credits  preface  acknowledgmentsPart I: Getting Color Right   chapter 1 Understanding Color    Understanding What You Need for Good Color Handling    Plxels and Resizing Images      Pixels and dots      Pixels and image sizes      Create an Action for resizing images      Play an action      Resampling images      Upsizing images    Understanding Color Modes      RGB color      CMYK color      Lab color      Grayscale    Understanding bit depth    Understanding Dynamic Range      Adding more image data      Improving captured dynamic range    Using Color Profiles      Monitor color profiles      CRT versus LCD monitors      Color workspaces      Camera color profiles      Output profiles      Embedding color profiles      Converting color    Photoshop’S Color and Tonal Correction Tools    Q&A  chapter 2 Setting Up Your Color Environment    Controlling Lighting      Using balanced lighting      Building a viewing booth    Understanding Monitors    Calibrating Your Monitor      Hardware calibration devices      Calibrating Macintosh displays      Calibrating Windows displays    Profiling for Printing Equipment      Acquiring device profiles      lnstalling profiles on the Mac      Installing profiles on Windows      Purchasing custom profiles    Using Color Output Profiles      Converting color to an output profile      Assuming a profile    Soft-Proofing with Your Output Profiles      Out-of-gamut colors      CMYK proofing      Proofing using profiles    Q&APart II: Image CorrectionsPart III: Digital Darkroom TechniquesPro GlossaryIndex

作者简介

Color is the soul of the image. It deserves perfection.  Whether you're a professional or a serious amateur, you recognize the importance of color. This book is about perfecting color at every level, from setting up a shot to editing the image to printing. Illustrated with the spectacular photography of coauthor Don Mason, this volume doesn't rehash the Photoshop? basics you already know. Instead, it shares professional methods and color correction techniques designed to reveal the soul of your subjects and the art in your images.  Understand color modes, bit depth, and dynamic range  Create an optimum color environment with controlled lighting, monitor calibration, and color output profiles  Make the best use of Camera Raw and Adobe? Bridge  Correct tone and brightness and sharpen images  Remedy the effects of improper exposure on color  Explore the artistic options of black-and-white editing  Achieve image, camera, and printer resolution for professional-quality prints Increase dynamic range by merging images.  Learn methods for getting perfect skin tones.  Add color tints to improve tonal ranges.

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