艺术史 Art Hitory-2 Vols

书籍目录

Art Hitory-2 Vols：ONE　Preface　Acknowledgments　Introduction　Starter Kit　Use Notes　CHAPTER 1　Prehistory and Prehistoric Art in Europe　　THE PALEOLITHIC PERIOD 　　THE NEOLITHIC PERIOD　　THE BRONZE AGE　CHAPTER 2　Art of the Ancient Near East　　THE FERTILE CRESCENT　　EARLY NEOLITHIC CITIES 　　SUMER　　AKKAD　　LAGASH 　　BABYLON AND MARI　　ASSYRIA　　NEO-BABYLONIA　　ANATOLIA　　ELAM　　PERSIA　CHAPTER 3　Art of Ancient Egypt　　NEOLITHIC AND PREDYNASTIC EGYPT　　EARLY DYNASTIC EGYPT　　THE OLD KINGDOM　　THE MIDDLE KINGDOM　　THE NEW DINGDOM　CHAPTER 4　Aegean Art　CHAPTER 5　Art of Ancient Greece　CHAPTER 6　Etruscan Art and Roman Art　CHAPTER 7　Early Christian, Jewish, and Byzantine Art　CHAPTER 8　Islamic Art　CHAPTER 9　Art of India before 1100　CHAPTER 10　Chinese Art before 1280　CHAPTER 11　Japanese Art before 1392　CHAPTER 12　Art of the Americas before 1300　CHAPTER 13　Art of Ancient Africa　CHAPTER 14　Early Medieval Art in Europe　CHAPTER 15　Romanesque Art　CHAPTER 16　Gothic Art　Glossary　Bibliography　Website Directory of Museums and Sites　IndexArt Hitory-2 Vols：TWOCredits

作者简介

This attractively packaged two-volume set attempts an almost impossible task: to present the art of the entire world， from vibrant cave paintings dating back 30，000 years to the creative trends of the late 20th century。 Though the arts of Europe are the most thoroughly analyzed， respected scholars in several specialized fields cover other cultures with cogent essays。 A more unusual feature is the space devoted to art created by women， such as the late-Renaissance painters Sofonisba Anguissola and Lavinia Fontana--the latter was invited in 1560 to be an official painter at the Spanish court。 Relationships between the art of different cultures are emphasized and， while each section can stand alone， each is shown to fit meaningfully into the overall development of the world’s artistic heritage。 Beautiful images grace the production’s 1，200 pages， not only well-known icons but a wealth of lesser-known gems are here， carefully chosen to demonstrate the points made in the text。 There are many delightful surprises among the illustrations， many of which are in color， printed to high quality standards in Japan。 For instance， line drawings explain technical details， from “Lost-wax Bronze-casting” to “Elements of the Skyscraper。” A vast amount of information is presented， but it is very well organized and easy to access， and an extensive glossary answers many questions。 Marilyn Stokstad’s Art History is a true tour de force， and its light and humanistic approach is a refreshing change from previous encyclopedic art-historical studies。

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