《光影詩人李屏賓》章节试读

《光影詩人李屏賓》的笔记-Behind the camera - Behind the camera

Paris is simply too recognizable.
If you want to see paris as it is,you have to see it reflected on a car's windshields.
that kind of reflection feels more than real than the real thing.
I think one needs diversity to be a cinematogtapher,not just pursuing one single personal taste or style.

《光影詩人李屏賓》的笔记-On The Way - On The Way

Shoot is to tell the story in an appropriate way.
A good image should be able to replace the words and the story by itself.
A single red in the midst of thick foliage,that's a kind of beauty;the other way around,is also kind of beauty.
A master in traditional chinese painting,Lee Koran can use black color to represent the earth,the mountain forest,the color of the sky,momentum,majesty;but he uses one white stripe th sketch all the layers.that white color is a kind of beauty.One sigle line of white turns all the blackness into beauty.

《光影詩人李屏賓》的笔记-第150页

很多事情就这样子，你没办法解释的，要解释只能用影片解释，等看到片子，但可能等半年、一年，所以这个行业是很痛苦的，你没办法跟人家可以马上传递出一个讯息让人家明白，有时候是必须忍耐很长一段时间的。

《光影詩人李屏賓》的笔记-Instans of life - Instans of life

I grew fonder of telling stories with the camera,
leaving room for thought in the scene,
and molding feeling of the shot,
rather than simply shooting people acting ot stories.

《光影詩人李屏賓》的笔记-第126页

Facing life's imperceptibility and inexorability, you just have to keep on trying, insisting and growing. You have to deal with a lot of frustration, and there will be many setbacks. One never knows if one can overcome so many failures.