坂茂 Shigeru Ban

出版社:PHAIDON PRESS
出版日期:2003-11-3
ISBN:9780714841946
作者:Shigeru Ban,Matilda McQuaid,Frei Otto
页数:240页

内容概要

Matilda McQuaid is Exhibitions Curator and Head of the Textiles Department at the Cooper-Hewitt National Design Museum in New York, and until 2001, was Associate Curator in the Department of Architecture and Design at the Museum of Modern Art, New York. She is the author of numerous essays on architecture, textiles and fibre art in journals and museum publications, including a contribution to Envisioning Architecture: Drawings from the Museum of Modern Art (Museum of Modern Art, 2002), which she also edited.
Frei Otto is an eminent architect based in Germany, who has pioneered research in lightweight membranes and innovative structures. He founded the Development Centre for Lightweight Construction in Berlin in 1957, which later became the Institute for Lightweight Structures in Stuttgart. He collaborated with Shigeru Ban on the Japan Pavilion for Expo 2000 in Hanover, Germany.

作者简介

Based in Japan and one of an emerging generation of young, world-class architects, Shigeru Ban (b.1957) designs and builds graceful, serene structures using modest and experimental materials such as cardboard, paper tubes, bamboo and prefabricated wood. His buildings are sometimes soaring and birdlike, sometimes simple, grounded, and evocative of the Japanese aesthetic, but always harmoniously integrated with, and respectful of, their surrounding environments.
Ban has designed projects at both ends of the client spectrum: from one-room temporary houses made of paper tubes for earthquake refugees worldwide to a 14,000 square-foot country house in Sharon, Connecticut, his first US commission. His humanitarian efforts and his interest in recyclable, affordable, natural materials have won praise and attention from museums and critics in America and Europe. Ban's 'Curtain Wall House' was a favourite entry in the Museum of Modern Art's 'Un-Private House' exhibition in 1999. He has gone on to design a museum for children in Japan, a canal museum in France, and a private art museum in Belgium. He was included in the 2000 and 2002 Venice Biennales, and created the Japan Pavilion for Expo 2000 in Hanover, Germany. He was a member of the Think team of architects selected in February 2003 as one of two final teams to compete for the commission to design the new World Trade Center site in New York.
This monograph is only the second book on Ban in print and, unlike the first publication, it is impressively up-to-the-minute and exhaustive. Designed in Japan and in collaboration with Ban himself, Shigeru Ban is divided into sections that reflect with sensitivity the architect's approach to materials, and presents 32 entire projects - all of which are illustrated with colour photographs, plans and sketches.


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精彩书评 (总计1条)

  •     很长时间都不关注日本建筑师了。本科的时候,丹下,矶崎新,安藤,《新建筑》《a+u》,对我们影响还是很大。中国追赶世界的潮流,一浪又一浪。也许是日本经济停滞的十多年,产生很多反思地产泡沫的建筑师。也同时在深入发掘现代建筑的内涵。一个偶然的机会知道了坂茂。才留意到这个早已以纸管建筑成名的建筑师。这本坂茂,展示了一个比大众传媒远为全面的坂茂。以建构展示建筑的本性美。尊重建设纲领,尊重建造技术。这是现代建筑的精神之一。而坂茂的建构,是创造性的发掘了材料的特性,并融入了日本独特的审美感受。优雅,纯净,温和。手法洗练,让人赞叹。日本已经不是一个西方的追赶者,日本已经在文化创造上站在了世界的最前列。我们的近邻,值得我们深思。

精彩短评 (总计6条)

  •     板茂在用卷筒纸芯都能造房子
  •     作为一本MONOGRAPHIE,这本书里提供的资料足够给5星了,不但包括一些解剖图列,甚至还有对材料的测试数据,虽然这一部分并不是很看得懂。 对于坂茂,从大学时代就一直醉心与他的一些设计,那种日本人的细密一丝不苟,又不失大气,更加令人过目难忘。
  •     利物浦图书馆
  •     没仔细读完,不过里面测试纸筒的各种数据的方法和改进措施写的很完全是本写shigeru ban里面算是最完全的书了!!值得一读!
  •     踏实的天才
  •     帘墙房子和纸制教堂
 

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