T.S Eliot and the Concept of Tradition艾略特和传统的概念

书籍目录

AcknowledgementsNotes on contributorsAbbreviationsForewordSir Frank KermodeIntroductionGiovanni Cianci and Jason HardingPART I  TRADITION AND IMPERSONALITY  1  Exorcizing the demon of chronology: T. S. Eliot's reinvention of tradition  2  Proper frontiers: transgression and the individual talent　3  Writing the selfi dialectic and impersonality in T. S. Eliot　4  The later fortunes of impersonality: 'Tradition and the Individual Talent' and postwar poetryPART II  CONTEXTS -- LITERARY　5  French influences and echoes in 'Tradition and the Individual Talent'　6  Tradition and egoism: T. S. Eliot and The Egoist　7  Tradition in 1919: Pound, Eliot and the 'historical method'PART 1II   CONTEXTS -- ART AND ANTHROPOlOGY　8  Reading T. S. Eliot visually: tradition in the context of modernist art　9  Some art-historical contexts for 'Tradition and the Individual Talent'　10 'A living whole': from T. S. Eliot's tradition to Hans Blumenberg's work on myth　11  Whose tradition? T. S. Eliot and the text of anthropologyPART IV  CASE STUDIES　12  Duchamp's Eliot: the detours of tradition and the persistence of individual talent　13  Tradition and the march of literature: T. S. Eliot and Ford Madox Ford　14  At the frontiers of metaphysics: time and history in T. S. Eliot and Walter BenjaminSelect bibliographyIndex

作者简介

T. S. Eliot's reformulation of the idea of literary tradition has been one of the key critical concepts of the twentieth century. In this reappraisal of tradition, an international team of scholars explores the concept from a variety of theoretical and historical perspectives, including a series of illuminating case studies evaluating Eliot's version of tradition alongside the theories of other major twentieth-century critics. This 2007 volume will be of great interest to students of literary theory, modernist studies and intellectual history, initiating a dialogue between Continental and Anglo-American investigations into the nature of literary traditions. Tradition is a concept often viewed by contemporary critics with misunderstanding or even hostility. This book powerfully reaffirms the continuing importance of our artistic and cultural traditions in shaping the past and creating the future.

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